Q-O2.be – info@q-02.be – previous editions
Oscillation is a festival by Q‑O2 werkplaats, organised by Julia Eckhardt, Caroline Profanter, Dries Robbe, Maryia Kamarova, Ludo Engels, Christel Simons, Cis De Gendt, Carlo Sampaolesi, Gustave Muhozi, and Billy Moisseron.
Bass flute, viola, voices, synthesizer; 60′
Catherine Lamb, 2017
Prisma Interius IV by Catherine Lamb has been developed both aurally and collaboratively with Rebecca Lane and Bryan Eubanks, eventually for open instrumentation of non-fixed pitched, sustaining instruments. This piece requires an aural transmission into the Secondary Rainbow Synthesizer (a simple digital synthesizer using bandwidth filtering of live sound fields outside the space). Harmonic material is filtered from natural sounds and breaths into the timbre and harmonics of the instruments and voices. Prisma Interius is a large series of 9 works for solo performer to chamber orchestra, all based around the interactions of the Secondary Rainbow Synthesizer with live sound fields and instruments.
https://www.sacredrealism.org/artists/catherine-lamb/works/?work=prisma-interius-iv
Catherine Lamb is an active composer exploring the interaction of tone, summations of shapes and shadows, phenomenological expansions, states between outside/inside, empathy, and the long introduction form. She currently resides in Berlin, where she composes, teaches, and collaborates within the community (including the co-initiated Harmonic Space Orchestra).
https://www.sacredrealism.org/artists/catherine-lamb/
Bryan Eubanks develops his music through solo work and collaboration. Since 1999, he has participated in many short and long-term projects, and regularly presents his work internationally. He remains active in a variety of contexts: improvisation; composing electronic and acoustic works for small ensembles, solo instruments, computers, and electronics; organizing and curating concerts for other artists; building electronic instruments. He currently lives in Berlin.
https://www.sacredrealism.org/artists/bryan-eubanks/
Rebecca Lane explores intonation as a social and perceptual practice, focusing on just/rational intonation and the relational aspects of sounding/activating this material with others. Her practice is informed by ongoing relationships with composers (such as Catherine Lamb), collaborations (like distances bending with Clara de Asís), and various duos and ensembles (including Harmonic Space Orchestra), utilizing various flutes (in particular, Kingma System quarter-tone flutes).